Interview: Chadwick Boseman Talks 'Draft Day,' 'Get On Up' and Finding the Truth of Characters (Opens Today)
Photo Credit: S & A
Interviews

Interview: Chadwick Boseman Talks 'Draft Day,' 'Get On Up' and Finding the Truth of Characters (Opens Today)

null

In the upcoming sports drama Draft Day, Chadwick Boseman

plays Vontae Mack, a linebacker looking to secure his family’s future by

earning a spot with the Cleveland Browns.

On the day of the draft, Mack and a series of other NFL hopefuls

plead their case to general manager Sonny Weaver Jr. (Kevin Costner) as he wheels and deals to put together the lineup

that will save his team.

Boseman’s star is on the rise after starring in Jackie Robinson biopic 42

last year. We’ll next see him in Draft

Day, Universal’s James Brown biopic Get

On Up, adventure fantasy Gods of Egypt, and there’s still

buzz of him entering the comics arena as Black

Panther or Green Lantern. While

promoting Draft Day, Boseman made

time to talk about what’s next for his career.

JAI TIGGETT: With this film, I can’t help but think of William Rhoden’s

Forty Million Dollar Slaves and the power dynamic between young black athletes and

the owners, managers and coaches that run the teams. Here you have your

character, who’s trying to take some power back for himself and be active in

deciding his fate.

CHADWICK BOSEMAN: What I love about his actions in the movie

is that he’s knowledgeable about the draft in a way that the other characters

are not. He doesn’t even have the prototype agent that [favorite pick] Bo

Callahan has.

JT: He’s the

underdog.

CB: Right, but he knows his stuff. He knows

what he needs in his life, more so than what other people project for him. The

fact that he’s calling out what he needs and there’s a sort of prophetic, even

Muhammad Ali type aspect, that was appealing to me along with the fact that he

is this family guy.

His sister has passed and he’s taken on the

responsibility of taking care of her kids. And so

he’s dealing with Sonny not like a boy, but as a full-grown man who has

responsibilities. They have these conversations one on one, it’s not the agent

passing the phone back and forth telling him what to say. And it’s striking

that he’s strong enough and savvy enough, and sometimes when he’s not savvy, his

heart still wins over. Those things stood

out to me.

JT: Coming from the Jackie Robinson biopic to Draft Day, you had a pretty big change in appearance. Tell me about how you prepared.

CB: I had lost a little weight [for 42] so I actually had to gain a considerable amount of weight. I was up to 215, close to 220 pounds, and I’ve never been that heavy. So it was at least 25 pounds in three weeks. I ate things that I wouldn’t normally eat. I put beef in my diet, I started eating steak, a lot of carbs, protein shakes, and I was lifting heavy weights. So I just did that for the month prior and then I continued to gain weight as we shot it.

null

The only specific football preparation that we had was a couple days before [filming], when we ran through the plays that we would be doing. When Sonny is looking at the scrimmages from the year, we had to actually do those plays. They picked them from actual games and we reproduced them. That was it.

JT: It’s an

interesting time in your career. You’ve been acting for a while and you’ve also

directed, but now you’re starting to book larger roles and get more of the

world’s attention. How are you handling that transition?

CB: Lord have mercy. It’s two different things.

With the films, you’re doing what you always have done. You’re doing the

research, going through whatever the obstacle is for that film, getting into

the character. None of that changes because it’s Harrison Ford in front of you or Kevin Costner on the phone with

you. It doesn’t matter who it is, you still have to do your work.

In terms of people recognizing and being aware,

that is constantly a battle. Because you also have to make time for the art, and

you have to decide how much you want to do it and how much you let it intrude

on your personal life. That’s just something you’re learning each day, by trial

and error.

JT: You’ve

played Jackie Robinson, and now you have Get

On Up coming up where you play James Brown. What sort of pressure do you

feel to do these characters justice as icons in American history?

CB: There’s a lot of weight that goes with it,

some sleepless nights. There’s a lot that comes into play with these kinds of

roles. You don’t have to talk to the

family when it’s a fantasy character. You don’t have to deal with differing

autobiographies. You don’t have to deal with people who think they know the

person and they really don’t, or their opinions about who the person is, what

they’re supposed to sound like. You don’t have to worry about any of that

stuff.

For instance with James Brown, there are a lot

of people who only know the old James Brown. They’ve never seen him perform at

Olympia or T.A.M.I. Show or any of that stuff. They don’t know anything about

his influences. And so they’re judging you based on the one or two things they

know or the one interview they saw. All those things, you sort of have to put

out of your mind because you’ve studied it on a different level than them, and

you have to be at peace with that.

JT: In terms of finding a balance between the true events and fictional

story, do you feel you’ve achieved that?

CB: There’s always the battle between the truth

and the movie, and there has to be some venturing from the truth just because

you’re compressing it into such a short amount of time. There’s no possible way

that you can show it exactly how it happened.

But you feel responsible for things being as

authentic as they can be. You don’t want to show the sugarcoated version of the

person. You’re not free unless you can show the good and the bad, all sides of

them. So to me, when I play a character it’s important that I can show every

aspect of them. And I feel like I’ve definitely found the truth.

 Summit Entertainment releases Draft Day in theaters on April 11. 

Shadow and Act is a website dedicated to cinema, television and web content of Africa and its global Diaspora. With daily news, interviews, in-depth investigations into the audiovisual industry, and more, Shadow and Act promotes content created by and about people of African descent throughout the world.

© 2022 Shadow & Act. All rights reserved.