Review: Buoyed by Great Performances & an Unnerving Score, 'Bad Hair' May Be This Year’s Foreign Sleeper Hit
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Review: Buoyed by Great Performances & an Unnerving Score, 'Bad Hair' May Be This Year’s Foreign Sleeper Hit

nullCinema Tropical/FiGa Films opens the film at Film Forum (NYC) TODAY, where it’ll enjoy a 2 week engagement at that theater, from November 19 – December 12. So all of you who’ve been asking me about a USA theatrical run for the film, if you’re in New York, starting today, you’ll finally have an opportunity to do see it. As for the rest of the country, I expect that the film will travel. Such is the nature of indie distribution, especially when it comes to *smaller* films like this. You can’t expect a 3000 screen nationwide opening. But we’ll keep you up to date of the film’s moves around the country. 

Mariana Rondon’s bold and intelligently perceptive film "Bad

Hair" isn’t really about hair, whether it is straight or coarse; but

about Junior (Samuel Lange), a boy who doesn’t fit society’s conventional mold within gender roles,

especially not in the world of his already overwhelmed and weary mother, who

suspects that her son – who has distinct tastes and flair – has begun to show signs of homosexuality. Junior’s

desire and fixation to envision himself as a straight-haired singer is perhaps

– to his mother’s unrelenting scorn – an escape from reality and the only thing he can really control in his unique world.

nullIn an impressively directed and photographed opening scene,

which stages a portrait of their environment, Junior and a young female

neighbor, who is his only friend, play "I spy," through an apartment balcony, identifying neighbors in their complex, from all walks of life: a woman talking to herself; a black man; a woman sitting on the balcony waiting for her son like she

usually does; graffiti thar reads “I love you,” and a couple of kids

playing; “Do you think they are having more fun than us?” the girl asks Junior.

Meanwhile his mother Marta, who’s trying to find a job in a

bleak and stressful urban working class economy in Venezuela, doesn’t have the

resources to foster her peculiar child’s imagination or provide adequate

emotional support. She already lacks funds for Junior to get his

picture taken, and the more he begins hiding in bathrooms and experimenting

with any household oil and grease he can get his hands on, the more conflicted

his relationship with his mother becomes.

Junior is an astute child, who’s very aware and empathetic

of his mother’s distress and daily struggles. It’s heartrending to watch Junior

trying to appease and seek her attention: he helps out feeding the baby; he

sets the table; he gazes at her longingly, even when she rejects him. 

The

situation signals a turn for the worse when Marta takes the advice of Junior’s doctor

– who sees nothing wrong with him – literally, to unconscionable lengths: Junior

just doesn’t have a paternal figure, and should see his mother in a loving

relationship with a man.

As tensions run high, and the drama unfolds, Junior, who has

been finding solace with his very encouraging black grandmother, must make a

decision that will place him at odds with either his grandmother or his mother.

Rondon’s enthralling "Bad Hair" certainly

challenges your prejudices; Your thoughts on Junior’s identity after watching

this provocative and gripping film may very well be a reflection of such. That

was director Rondon’s intention, after all, accomplished with aplomb. 

Buoyed

by instinctive performances (especially the powerful Samantha Castillo as

Junior’s mother Marta) and an unnerving score, "Bad Hair" may just be this year’s foreign sleeper hit.

See it at Film Forum if you live in New York, starting today. You’ve got just 2 weeks until it leaves.

Here’s its trailer:

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