UK: New Digital Africa Screening Series Announced
Photo Credit: S & A

UK: New Digital Africa Screening Series Announced

[caption id="attachment_296328" align="aligncenter" width="1439"]Edem Dotse and SUTRA, still from Waves/The Water (2017), video, 5’26”. Courtesy: the artists. Edem Dotse and SUTRA, still from Waves/The Water (2017), video, 5’26”. Courtesy: the artists.[/caption]

For UK readers...

Open Source and YaPhoto have announced Digital Africa, an evening projection of works by 14 African and Diaspora video artists and documentary filmmakers on Thursday May 25 at the Vortex, London.

The artists and filmmakers were selected from an open call launched last March as part of the year-long program of events and international collaborations developed by YaPhoto, Cameroon’s platform for photography and lens-based art practices.

The London event will present videos by: Paolo Azevedo (Angola), Bruna Cafurica (UK/Sweden), Tamara Dawit (Canada), Edem Dotse (Ghana) & SUTRA (UK), Megan-Leigh Heilig (South Africa), Onyeka Igwe (UK), Wilfried Nakeu (Cameroon), Danielle WaKyengo O’Neill (South Africa), Jean Baptiste Nyabyenda (Rwanda), Amine Oulmakki (Morocco) and Breeze Yoko (South Africa).

The works selected include short documentaries dealing with cultural heritage, gender, identity, history and activism, as well as videos focusing on aesthetics, visual narratives, sound and music.

Onyeka Igwe’s "We Need New Names" (2015) is a video essay examining how a diasporic identity can be formed and performed through the inherent contradictions of an ethnographic reading of a traditional Igbo funeral, using both fiction and archive to explore home, identity, blackness and cultural memory. Tamara Dawit’s "Grandma Knows Best" (2015) and Jean-Baptiste Nyabyenda’s "Zura Taekwondo Fighter" (2016) both feature protagonists challenging gender expectations. Danielle WaKyengo O’Neill’s videos "Crowning" (2016) and "Stale" (2016-2017) respectively look at the politics of black hair and interrogate white male identity in South Africa. Breeze Yoko’s "Biko’s Children" (2007) revisits the legacy of Steve Biko (1946-1977) in South Africa’s urban culture, as this year marks the 40th anniversary of the assassination of the Black Consciousness leader.

[caption id="attachment_296327" align="aligncenter" width="1436"]Edem Dotse and SUTRA, still from Waves/The Water (2017), video, 5’26”. Courtesy: the artists. Edem Dotse and SUTRA, still from Waves/The Water (2017), video, 5’26”. Courtesy: the artists.[/caption]

Aesthetic research and music permeate Edem Dotse & SUTRA’s "Waves/The Water" (2017), Bruna Cafurica’s "African Medusa" (2017) and Paolo Azevedo’s "Kazukuta 365º" (2012). Megan-Leigh Heilig’s "The Day The Sun Did Not Rise" (2017) is a sarcastic take on the current climate of Islamophobia, terrorist rhetoric, and the culture of fear cultivated by global news channels. Amine Oulmakki’s "Oxygène" (2015) is an installation project presenting 9 submerged video portraits depicting water as a prime element, essential to life, but also a potential source of asphyxiation. The event will conclude with Wilfried Nakeu’s "Hybrid Hypnosis" (2017), a 20-minute immersive sound and visual experiment taking the audience on a promenade across Yaounde’s life, arts and sonic environments.

Additionally, the Yaounde screening scheduled next November during YaPhoto 2017 will also feature Mounir Allaoui (France), Yvon Ngassam (Cameroon) and Saïd Raïs (Morocco).

The Digital Africa screening series is curated by Christine Eyene as part of "YaPhoto 2017: Picturing the Present," in partnership with Open Source and Making Histories Visible (University of Central Lancashire).

For further information, contact:


Thursday 25 May, 7.00pm – 10pm

Free event, no booking required


11 Gillett Square

London N16 8AZ

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