Weekend B.O. May 15-17 (‘Glee’ Beats ‘Max’…How? Why? Who’s Responsible?)
Photo Credit: S & A
Box Office

Weekend B.O. May 15-17 (‘Glee’ Beats ‘Max’…How? Why? Who’s Responsible?)

nullOne of the most memorable film going

experiences in my life was when I went to the very first showing on opening day of

George Miller’s "The Road Warrior" ("Mad Max" 2), in May 1982, in a theater in Los

Angeles.

Everyone in the packed house knew that we were going to get something good. Instead we got

something that was great. It was different, unique, something that we had never

seen before. (Though it’s been ripped off numerous times since then.)  When the final credits came on, the audience

gave it a rousing ovation that lasted nearly 5 minutes. It still remains, to

this day, a film that defines what action cinema is.

When "Mad Max

Beyond Thunderdome" came out three years later, there were signs of worry. The film’s

PG-13 rating lowered expectations big time, and it still remains a

disappointment. Though it does have its defenders and its compensations – mainly

Tina Turner as well as the final chase sequence – the rough edges of the last "Mad Max" film were smoothed off, and it was too kid friendly, and too studio compromised

to be truly effective.

So when

Miller, after making a few kid movies such as "Babe" and those "Happy Feet" animated films, and years of delays and setbacks, started production on "Mad Max

Fury Road," in Namibia literally three years ago, expectations were high.

Now after

three years of anxious, nerve racking waiting, "Fury Road" has burst upon the screen, and not only is it everything that "Mad Max" and R-rated action fans were

expecting, it transcended them. As far as I’m concerned it’s the film of year. I don’t

care if it’s May; by December, it will still be the film of the year. How much

do like it? I saw it twice before it was released on Friday in 2D and 3D (which

doesn’t make a whole lot of difference). It’s a brilliantly directed, visually

jaw dropping, pulse pounding film, with a hard busting, driving rock music

score. I want to get the CD soundtrack and crank it up to annoy my neighbors. (Though I have been beat by one friend who’s seen it three times already in 24 hours)

Miller takes

ideas, themes and visual elements from the previous "Mad Max" films, but ramps

them to nearly the breaking point. What few naysayers who have a problem with – the thin storyline and lack of dialogue – are completely missing the point.

It’s action cinema. It’s movement, editing,

photography and pacing.

Though the

film used some CGI for enhancement in certain scenes, such as during the

dust storm sequence, it’s an old fashioned action cinema. Instead of the overbearing

animated CGI effects seen in too many films, "Fury Road" obeys the rules of physics

(i.e. no cars flying in the air through buildings unlike a certain recent film

I won’t mention), and paying close attention to the spatial relationships in the

frame during the action scenes. In other words, you can tell where everyone is

in relationship to everyone else, and their surroundings. "Fury Road" is a masterclass

on how to direct action.

And audiences

this weekend responded to the film, with it earning $44 million.

And yet…and yet…

It got BEATEN.

Beaten by some

“Glee” rip-off with fat jokes. WTF?

"Pitch

Perfect 2" actually beat "Fury Road" this weekend by some $26 million, with some $70.3

million.

What? Why?

Who’s responsible for this? What’s happened to men? You let some girls beat you?

You’ve all gotten castrated or something? You let your girlfreinds tell you what to see? How did this happen?

While almost

every box office analyst said that it would be neck and neck between "PP2" and "Fury Road" this weekend, only WGN Chicago radio’s Erik Childress, for several

weeks, kept to his prediction that "PP2" would far out gross "Fury Road" this weekend.

How did he know? Seems that though the first "Pitch Perfect" film was only a

modest hit, earning some $65 million domestically, and about $117 million

worldwide, it became a huge smash on cable and video. It fact, it still holds the

record for the most watched film ever on HBO. Evidently there’s a huge, secret, evil, underground cult of "Pitch Perfect" fanatics, and they have been quietly lying in wait

for the next "PP" movie.

In fact, he predicts that the film, directed by actress Elizabeth Banks, could go on to gross something like $220 million domestically, which

would tie it with the biggest grossing film directed by a woman ever. The other film is, believe or not, "Alvin and the

Chipmunks: The Squeakquel," directed by Betty Thomas, which earned $220 million

domestically. As the old saying goes, you just can’t go broke underestimating

the tastes of the American public

However, this

doesn’t spell the end of "Fury Road." The film should gross at least $130-150 million domestically; and overseas, as expected, the film is a b.o. monster,with $65 million in 68 territories this weekend with the film being No.1 at the box office in 40 of them, And the film has yet to open in most of Asia which will take it even higher. At this point, "Fury Road" looks headed for a minimum $500 million worldwide, at

least, which the studio will be happy with.

"The

Avengers: The Age of Ultron" came in third, with $38.8 million, meanwhile Fox/DreamWorks

animated film, "Home," is still hanging in there in the top ten, while "Cinderella" looks to be headed to hitting

close to the $200 million mark, though it may not actually reach it.

1) Pitch Perfect 2     Uni.     $70,300,000    
2) Mad Max: Fury Road     WB     $44,440,000    
3) Avengers: Age of Ultron     BV     $38,837,000     Total: $372,008,000    
4) Hot Pursuit     WB     $5,780,000     Total:    $23,504,000    
5) Paul Blart: Mall Cop 2     Sony     $3,600,000     Total:    $62,929,000    
6) Furious 7     Uni.     $3,600,000      Total: $343,800,000    
7) The Age of Adaline     LGF     $3,200,000     Total: $37,072,000    
8) Home     Fox     $2,700,000      Total: $165,647,000    
9) Ex Machina     A24     $2,103,000  Total:  $19,566,000    
10) Far from the Madding Crowd     FoxS     $1,300,000      Total:     $2,631,000    
11) Woman in Gold     Wein.     $1,190,000      Total: $28,952,000    
12) Cinderella     BV     $628,000      Total: $197,228,000

Shadow and Act is a website dedicated to cinema, television and web content of Africa and its global Diaspora. With daily news, interviews, in-depth investigations into the audiovisual industry, and more, Shadow and Act promotes content created by and about people of African descent throughout the world.

© 2022 Shadow & Act. All rights reserved.